Punk Productions

Unfinished Business

By Stacy Thompson | Publisher: State University of New York Press

About the book

Stacy Thompson's Punk Productions offers a concise history of punk music and combines concepts from Marxism to psychoanalysis to identify the shared desires that punk expresses through its material productions and social relations. Thompson explores all of the major punk scenes in detail, from the early days in New York and England, through California Hardcore and the Riot Grrrls, and thoroughly examines punk record collecting, the history of the Dischord and Lookout! record labels, and 'zines produced to chronicle the various scenes over the years. While most analyses of punk address it in terms of style, Thompson grounds its aesthetics, and particularly its most combative elements, in a materialist theory of punk economics situated within the broader fields of the music industry, the commodity form, and contemporary capitalism. While punk's ultimate goal of abolishing capitalism has not been met, the punk enterprise that stands opposed to the music industry is still flourishing. Punks continue to create aesthetics that cannot be readily commodified or rendered profitable by major record labels, and punks remain committed to transforming consumers into producers, in opposition to the global economy's increasingly rapid shift toward oligopoly and monopoly.

Editions of Punk Productions

Hardcover
ISBN 9780791461877
Paperback
ISBN 9780791461884
PDF
ISBN 9780791484609

Read an Excerpt

Stacy Thompson's Punk Productions offers a concise history of punk music and combines concepts from Marxism to psychoanalysis to identify the shared desires that punk expresses through its material productions and social relations. Thompson explores all of the major punk scenes in detail, from the early days in New York and England, through California Hardcore and the Riot Grrrls, and thoroughly examines punk record collecting, the history of the Dischord and Lookout! record labels, and 'zines produced to chronicle the various scenes over the years. While most analyses of punk address it in terms of style, Thompson grounds its aesthetics, and particularly its most combative elements, in a materialist theory of punk economics situated within the broader fields of the music industry, the commodity form, and contemporary capitalism. While punk's ultimate goal of abolishing capitalism has not been met, the punk enterprise that stands opposed to the music industry is still flourishing. Punks continue to create aesthetics that cannot be readily commodified or rendered profitable by major record labels, and punks remain committed to transforming consumers into producers, in opposition to the global economy's increasingly rapid shift toward oligopoly and monopoly.

Frequently Asked Questions

What is Punk Productions about?

Stacy Thompson's Punk Productions offers a concise history of punk music and combines concepts from Marxism to psychoanalysis to identify the shared desires that punk expresses through its material productions and social relations. Thompson explores all of the major punk scenes in detail, from the early days in New York and England, through California Hardcore and the Riot Grrrls, and thoroughly examines punk record collecting, the history of the Dischord and Lookout! record labels, and 'zines produced to chronicle the various scenes over the years. While most analyses of punk address it in terms of style, Thompson grounds its aesthetics, and particularly its most combative elements, in a materialist theory of punk economics situated within the broader fields of the music industry, the commodity form, and contemporary capitalism. While punk's ultimate goal of abolishing capitalism has not been met, the punk enterprise that stands opposed to the music industry is still flourishing. Punks continue to create aesthetics that cannot be readily commodified or rendered profitable by major record labels, and punks remain committed to transforming consumers into producers, in opposition to the global economy's increasingly rapid shift toward oligopoly and monopoly.

What core themes, tropes, or subjects are explored in Punk Productions?

Society and Social Sciences > Society and culture: general > Cultural and media studies > Cultural studies > Popular culture

Where can I read a sample of Punk Productions?

You can read an official preview of the few pages here https://www.book2look.com/book/9780791461877

How long is Punk Productions and how many pages does it have?

Punk Productions has 228 page(s)

Is Punk Productions part of a series, and can it be read as a standalone?

Yes it is a part of series SUNY series, INTERRUPTIONS: Border Testimony(ies) and Critical Discourse/s

Who is/are the Author/s of the book Punk Productions?

Stacy Thompson

Who is the Publisher of the book Punk Productions?

State University of New York Press

What are the ISBN numbers for the physical and digital editions?

Punk Productions is available as hardcover(ISBN 9780791461877) and paperback(ISBN 9780791461884) and pdf(ISBN 9780791484609)

Where can I buy Punk Productions online or support local independent bookshops?

You can buy Punk Productions from below

Where can I buy Punk Productions?