About the book
Anglo-American writers in the revolutionary era used pastoral images to place themselves as native to the continent, argues Thomas Hallock in From the Fallen Tree. Beginning in the mid-eighteenth century, as territorial expansion got under way in earnest, and ending with the era of Indian dispossession, the author demonstrates how authors explored the idea of wilderness and political identities in fully populated frontiers.
Hallock provides an alternative to the myth of a vacant wilderness found in later writings. Emphasizing shared cultures and conflict in the border regions, he reconstructs the milieu of Hector St. John de Crèvecoeur, Thomas Jefferson, Meriwether Lewis and William Clark, William Bartram, and James Fenimore Cooper, as well as lesser-known figures such as Lewis Evans, Jane Colden, Anne Grant, and Elias Boudinot. State papers, treaty documents, maps, and journals provide a rich backdrop against which Hallock reinterprets the origins of a pastoral tradition.
Combining the new western history, ecological criticism, and native American studies, Hallock uncovers the human stories embedded in descriptions of the land. His historicized readings offer an alternative to long-accepted myths about the vanishing backcountry, the march of civilization, and a pristine wilderness. The American pastoral, he argues, grew from the anxiety of independent citizens who became colonizers themselves.
Editions of From the Fallen Tree
- Hardcover
- ISBN 9780807828205
- Paperback
- ISBN 9780807854914
- EBook
- ISBN 9780807861653
- PDF
- ISBN 9798890877376
Read an Excerpt
Anglo-American writers in the revolutionary era used pastoral images to place themselves as native to the continent, argues Thomas Hallock in From the Fallen Tree. Beginning in the mid-eighteenth century, as territorial expansion got under way in earnest, and ending with the era of Indian dispossession, the author demonstrates how authors explored the idea of wilderness and political identities in fully populated frontiers.
Hallock provides an alternative to the myth of a vacant wilderness found in later writings. Emphasizing shared cultures and conflict in the border regions, he reconstructs the milieu of Hector St. John de Crèvecoeur, Thomas Jefferson, Meriwether Lewis and William Clark, William Bartram, and James Fenimore Cooper, as well as lesser-known figures such as Lewis Evans, Jane Colden, Anne Grant, and Elias Boudinot. State papers, treaty documents, maps, and journals provide a rich backdrop against which Hallock reinterprets the origins of a pastoral tradition.
Combining the new western history, ecological criticism, and native American studies, Hallock uncovers the human stories embedded in descriptions of the land. His historicized readings offer an alternative to long-accepted myths about the vanishing backcountry, the march of civilization, and a pristine wilderness. The American pastoral, he argues, grew from the anxiety of independent citizens who became colonizers themselves.
Frequently Asked Questions
What is From the Fallen Tree about?
Anglo-American writers in the revolutionary era used pastoral images to place themselves as native to the continent, argues Thomas Hallock in From the Fallen Tree. Beginning in the mid-eighteenth century, as territorial expansion got under way in earnest, and ending with the era of Indian dispossession, the author demonstrates how authors explored the idea of wilderness and political identities in fully populated frontiers.
Hallock provides an alternative to the myth of a vacant wilderness found in later writings. Emphasizing shared cultures and conflict in the border regions, he reconstructs the milieu of Hector St. John de Crèvecoeur, Thomas Jefferson, Meriwether Lewis and William Clark, William Bartram, and James Fenimore Cooper, as well as lesser-known figures such as Lewis Evans, Jane Colden, Anne Grant, and Elias Boudinot. State papers, treaty documents, maps, and journals provide a rich backdrop against which Hallock reinterprets the origins of a pastoral tradition.
Combining the new western history, ecological criticism, and native American studies, Hallock uncovers the human stories embedded in descriptions of the land. His historicized readings offer an alternative to long-accepted myths about the vanishing backcountry, the march of civilization, and a pristine wilderness. The American pastoral, he argues, grew from the anxiety of independent citizens who became colonizers themselves.
What core themes, tropes, or subjects are explored in From the Fallen Tree?
Biography, Literature and Literary studies > Literature: history and criticism
Where can I read a sample of From the Fallen Tree?
You can read an official preview of the few pages here https://www.book2look.com/book/9780807828205
How long is From the Fallen Tree and how many pages does it have?
From the Fallen Tree has 312 page(s)
Who is/are the Author/s of the book From the Fallen Tree?
Thomas Hallock
What are the ISBN numbers for the physical and digital editions?
From the Fallen Tree is available as hardcover(ISBN 9780807828205) and paperback(ISBN 9780807854914) and ebook(ISBN 9780807861653) and pdf(ISBN 9798890877376)
Where can I buy From the Fallen Tree online or support local independent bookshops?
You can buy From the Fallen Tree from below
Where can I buy From the Fallen Tree?