About the book
The early Christian writer Tertullian first applied the epithet \"bride of Christ\" to the uppity virgins of Carthage as a means of enforcing female obedience. Henceforth, the virgin as Christ's spouse was expected to manifest matronly modesty and due submission, hobbling virginity's ancient capacity to destabilize gender roles. In the early Middle Ages, the focus on virginity and the attendant anxiety over its possible loss reinforced the emphasis on claustration in female religious communities, while also profoundly disparaging the nonvirginal members of a given community.
With the rising importance of intentionality in determining a person's spiritual profile in the high Middle Ages, the title of bride could be applied and appropriated to laywomen who were nonvirgins as well. Such instances of democratization coincided with the rise of bridal mysticism and a progressive somatization of female spirituality. These factors helped cultivate an increasingly literal and eroticized discourse: women began to undergo mystical enactments of their union with Christ, including ecstatic consummations and vivid phantom pregnancies. Female mystics also became increasingly intimate with their confessors and other clerical confidants, who were sometimes represented as stand-ins for the celestial bridegroom. The dramatic merging of the spiritual and physical in female expressions of religiosity made church authorities fearful, an anxiety that would coalesce around the figure of the witch and her carnal induction into the Sabbath.
Editions of The Bride of Christ Goes to Hell
- Hardcover
- ISBN 9780812243581
- EBook
- ISBN 9780812206937
Read an Excerpt
The early Christian writer Tertullian first applied the epithet \"bride of Christ\" to the uppity virgins of Carthage as a means of enforcing female obedience. Henceforth, the virgin as Christ's spouse was expected to manifest matronly modesty and due submission, hobbling virginity's ancient capacity to destabilize gender roles. In the early Middle Ages, the focus on virginity and the attendant anxiety over its possible loss reinforced the emphasis on claustration in female religious communities, while also profoundly disparaging the nonvirginal members of a given community.
With the rising importance of intentionality in determining a person's spiritual profile in the high Middle Ages, the title of bride could be applied and appropriated to laywomen who were nonvirgins as well. Such instances of democratization coincided with the rise of bridal mysticism and a progressive somatization of female spirituality. These factors helped cultivate an increasingly literal and eroticized discourse: women began to undergo mystical enactments of their union with Christ, including ecstatic consummations and vivid phantom pregnancies. Female mystics also became increasingly intimate with their confessors and other clerical confidants, who were sometimes represented as stand-ins for the celestial bridegroom. The dramatic merging of the spiritual and physical in female expressions of religiosity made church authorities fearful, an anxiety that would coalesce around the figure of the witch and her carnal induction into the Sabbath.
Frequently Asked Questions
What is The Bride of Christ Goes to Hell about?
The early Christian writer Tertullian first applied the epithet \"bride of Christ\" to the uppity virgins of Carthage as a means of enforcing female obedience. Henceforth, the virgin as Christ's spouse was expected to manifest matronly modesty and due submission, hobbling virginity's ancient capacity to destabilize gender roles. In the early Middle Ages, the focus on virginity and the attendant anxiety over its possible loss reinforced the emphasis on claustration in female religious communities, while also profoundly disparaging the nonvirginal members of a given community.
With the rising importance of intentionality in determining a person's spiritual profile in the high Middle Ages, the title of bride could be applied and appropriated to laywomen who were nonvirgins as well. Such instances of democratization coincided with the rise of bridal mysticism and a progressive somatization of female spirituality. These factors helped cultivate an increasingly literal and eroticized discourse: women began to undergo mystical enactments of their union with Christ, including ecstatic consummations and vivid phantom pregnancies. Female mystics also became increasingly intimate with their confessors and other clerical confidants, who were sometimes represented as stand-ins for the celestial bridegroom. The dramatic merging of the spiritual and physical in female expressions of religiosity made church authorities fearful, an anxiety that would coalesce around the figure of the witch and her carnal induction into the Sabbath.
What core themes, tropes, or subjects are explored in The Bride of Christ Goes to Hell?
Philosophy and Religion > Religion and beliefs > Aspects of religion > Religious life and practice > Religious aspects of sexuality, gender and relationships
Where can I read a sample of The Bride of Christ Goes to Hell?
You can read an official preview of the few pages here https://www.book2look.com/book/9780812243581
How long is The Bride of Christ Goes to Hell and how many pages does it have?
The Bride of Christ Goes to Hell has 480 page(s)
Is The Bride of Christ Goes to Hell part of a series, and can it be read as a standalone?
Yes it is a part of series The Middle Ages Series
Who is/are the Author/s of the book The Bride of Christ Goes to Hell?
Dyan Elliott
What are the ISBN numbers for the physical and digital editions?
The Bride of Christ Goes to Hell is available as hardcover(ISBN 9780812243581) and ebook(ISBN 9780812206937)
Where can I buy The Bride of Christ Goes to Hell online or support local independent bookshops?
You can buy The Bride of Christ Goes to Hell from below
Where can I buy The Bride of Christ Goes to Hell?