Destructive Sublime

World War II in American Film and Media

By Tanine Allison | Publisher: Rutgers University Press

About the book

The American popular imagination has long portrayed World War II as the “good war,” fought by the “greatest generation” for the sake of freedom and democracy. Yet, combat films and other war media complicate this conventional view by indulging in explosive displays of spectacular violence. Combat sequences, Tanine Allison argues, construct a counter-narrative of World War II by reminding viewers of the war’s harsh brutality.

Destructive Sublime traces a new aesthetic history of the World War II combat genre by looking back at it through the lens of contemporary video games like Call of Duty. Allison locates some of video games’ glorification of violence, disruptive audiovisual style, and bodily sensation in even the most canonical and seemingly conservative films of the genre. In a series of case studies spanning more than seventy years—from wartime documentaries like The Battle of San Pietro to fictional reenactments like The Longest Day and Saving Private Ryan to combat video games like Medal of Honor—this book reveals how the genre’s aesthetic forms reflect (and influence) how American culture conceives of war, nation, and representation itself.  

Editions of Destructive Sublime

Hardcover
ISBN 9780813597492
EBook
ISBN 9780813597508
PDF
ISBN 9780813597522

Read an Excerpt

The American popular imagination has long portrayed World War II as the “good war,” fought by the “greatest generation” for the sake of freedom and democracy. Yet, combat films and other war media complicate this conventional view by indulging in explosive displays of spectacular violence. Combat sequences, Tanine Allison argues, construct a counter-narrative of World War II by reminding viewers of the war’s harsh brutality.

Destructive Sublime traces a new aesthetic history of the World War II combat genre by looking back at it through the lens of contemporary video games like Call of Duty. Allison locates some of video games’ glorification of violence, disruptive audiovisual style, and bodily sensation in even the most canonical and seemingly conservative films of the genre. In a series of case studies spanning more than seventy years—from wartime documentaries like The Battle of San Pietro to fictional reenactments like The Longest Day and Saving Private Ryan to combat video games like Medal of Honor—this book reveals how the genre’s aesthetic forms reflect (and influence) how American culture conceives of war, nation, and representation itself.  

Frequently Asked Questions

What is Destructive Sublime about?

The American popular imagination has long portrayed World War II as the “good war,” fought by the “greatest generation” for the sake of freedom and democracy. Yet, combat films and other war media complicate this conventional view by indulging in explosive displays of spectacular violence. Combat sequences, Tanine Allison argues, construct a counter-narrative of World War II by reminding viewers of the war’s harsh brutality.

Destructive Sublime traces a new aesthetic history of the World War II combat genre by looking back at it through the lens of contemporary video games like Call of Duty. Allison locates some of video games’ glorification of violence, disruptive audiovisual style, and bodily sensation in even the most canonical and seemingly conservative films of the genre. In a series of case studies spanning more than seventy years—from wartime documentaries like The Battle of San Pietro to fictional reenactments like The Longest Day and Saving Private Ryan to combat video games like Medal of Honor—this book reveals how the genre’s aesthetic forms reflect (and influence) how American culture conceives of war, nation, and representation itself.  

What core themes, tropes, or subjects are explored in Destructive Sublime?

The Arts > Performing arts > Films, cinema > Film: styles and genres

Where can I read a sample of Destructive Sublime?

You can read an official preview of the few pages here https://www.book2look.com/book/9780813597492

Is Destructive Sublime part of a series, and can it be read as a standalone?

Yes it is a part of series War Culture

Who is/are the Author/s of the book Destructive Sublime?

Tanine Allison

Who is the Publisher of the book Destructive Sublime?

Rutgers University Press

What are the ISBN numbers for the physical and digital editions?

Destructive Sublime is available as hardcover(ISBN 9780813597492) and ebook(ISBN 9780813597508) and pdf(ISBN 9780813597522)

Where can I buy Destructive Sublime online or support local independent bookshops?

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Where can I buy Destructive Sublime?