A Companion to Russian Cinema, , Wiley, John Wiley & Sons,Film history, theory or criticism,Films, cinema, Russian cinema; Soviet cinema; post-Soviet cinema; Russian identity; pre-Revolutionary Russia; St Petersburg movie theatres; VGIK Film Institute; Kulturfilm;?Boris Shumiatsky; Lenfilm; Gorky Studio;?Battleship Potemkin; Soviet musical;?The Circus;?Kuban Cossacks;?Tractor Drivers; Dmitri Shostakovich; Grigorii Aleksandrov; Ivan Pyriev;?Carnival Night; Lev Kuleshov; Elem Klimov;?Welcome; or No Trespassing; auteur cinema; Kira Muratova; Andrei Konchalovskii;?Ilyich's Gates; Marlen Khutsive; Andrei Tarvkoskii;?Andrei Rublev; cinematography; Yakov Protazanov; Fridrikh Ermler; Leonid Gaidai; Alexei German; blockbuster;?Brother;?Lovey-Dovey;?Night Watch; Soviet screenplay; Technicolor; Aleksandr Shorin; Pavel Tager; Igor Savchenko;?A Chance Encounter; Nadezhda Lamanova;?House on Trubnaya;?The Girl with a Hatbox; Iurii Zheliabuzhskii; Mikhail Kalatozov;?The Unsent Letter; Eduard Tisse;?Chapaev;?We are from Kronstadt;?Shchors; Aleksandr Dovzhenko;?She Defends the Motherland;?The Brest Fortress; Sergei Bondarchuk;?They Fought for the Motherland;?The Cranes are Flying;?Seventeen Moments of Spring; Mikhail Romm;?Secret Mission;?New Moscow;?Hipsters; Boris Barnet; Andrei Zviagintsev;?The Return;?Leviathan;?By the Bluest of Seas; Iulii Raizman.?Kidnapping Caucasian Style;?The Diamond Arm;?Trial on the Road;?My Friend Ivan Lapshin;?Hard to be a God; Cold War; war film; costume design; production design,, Wiley Blackwell Companions to National Cinemas, United States, en-UShttps://www.wiley.comRussian cinema; Soviet cinema; post-Soviet cinema; Russian identity; pre-Revolutionary Russia; St Petersburg movie theatres; VGIK Film Institute; Kulturfilm;?Boris Shumiatsky; Lenfilm; Gorky Studio;?Battleship Potemkin; Soviet musical;?The Circus;?Kuban Cossacks;?Tractor Drivers; Dmitri Shostakovich; Grigorii Aleksandrov; Ivan Pyriev;?Carnival Night; Lev Kuleshov; Elem Klimov;?Welcome; or No Trespassing; auteur cinema; Kira Muratova; Andrei Konchalovskii;?Ilyich's Gates; Marlen Khutsive; Andrei Tarvkoskii;?Andrei Rublev; cinematography; Yakov Protazanov; Fridrikh Ermler; Leonid Gaidai; Alexei German; blockbuster;?Brother;?Lovey-Dovey;?Night Watch; Soviet screenplay; Technicolor; Aleksandr Shorin; Pavel Tager; Igor Savchenko;?A Chance Encounter; Nadezhda Lamanova;?House on Trubnaya;?The Girl with a Hatbox; Iurii Zheliabuzhskii; Mikhail Kalatozov;?The Unsent Letter; Eduard Tisse;?Chapaev;?We are from Kronstadt;?Shchors; Aleksandr Dovzhenko;?She Defends the Motherland;?The Brest Fortress; Sergei Bondarchuk;?They Fought for the Motherland;?The Cranes are Flying;?Seventeen Moments of Spring; Mikhail Romm;?Secret Mission;?New Moscow;?Hipsters; Boris Barnet; Andrei Zviagintsev;?The Return;?Leviathan;?By the Bluest of Seas; Iulii Raizman.?Kidnapping Caucasian Style;?The Diamond Arm;?Trial on the Road;?My Friend Ivan Lapshin;?Hard to be a God; Cold War; war film; costume design; production design, [BLURB],[CITY],,books, ebooks, biblet, Book2look