Picturing Identity

Contemporary American Autobiography in Image and Text

By Hertha D. Sweet Wong | Publisher: The University of North Carolina Press

About the book

In this book, Hertha D. Sweet Wong examines the intersection of writing and visual art in the autobiographical work of twentieth- and twenty-first-century American writers and artists who employ a mix of written and visual forms of self-narration. Combining approaches from autobiography studies and visual studies, Wong argues that, in grappling with the breakdown of stable definitions of identity and unmediated representation, these writers-artists experiment with hybrid autobiography in image and text to break free of inherited visual-verbal regimes and revise painful histories. These works provide an interart focus for examining the possibilities of self-representation and self-narration, the boundaries of life writing, and the relationship between image and text.

Wong considers eight writers-artists, including comic-book author Art Spiegelman; Faith Ringgold, known for her story quilts; and celebrated Indigenous writer Leslie Marmon Silko. Wong shows how her subjects formulate webs of intersubjectivity shaped by historical trauma, geography, race, and gender as they envision new possibilities of selfhood and fresh modes of self-narration in word and image.

Editions of Picturing Identity

Hardcover
ISBN 9781469640693
Paperback
ISBN 9781469640709
EBook
ISBN 9781469640723
EBook
ISBN 9798890853561
EBook
ISBN 9781469640716
PDF
ISBN 9798890853554

Read an Excerpt

In this book, Hertha D. Sweet Wong examines the intersection of writing and visual art in the autobiographical work of twentieth- and twenty-first-century American writers and artists who employ a mix of written and visual forms of self-narration. Combining approaches from autobiography studies and visual studies, Wong argues that, in grappling with the breakdown of stable definitions of identity and unmediated representation, these writers-artists experiment with hybrid autobiography in image and text to break free of inherited visual-verbal regimes and revise painful histories. These works provide an interart focus for examining the possibilities of self-representation and self-narration, the boundaries of life writing, and the relationship between image and text.

Wong considers eight writers-artists, including comic-book author Art Spiegelman; Faith Ringgold, known for her story quilts; and celebrated Indigenous writer Leslie Marmon Silko. Wong shows how her subjects formulate webs of intersubjectivity shaped by historical trauma, geography, race, and gender as they envision new possibilities of selfhood and fresh modes of self-narration in word and image.

Frequently Asked Questions

What is Picturing Identity about?

In this book, Hertha D. Sweet Wong examines the intersection of writing and visual art in the autobiographical work of twentieth- and twenty-first-century American writers and artists who employ a mix of written and visual forms of self-narration. Combining approaches from autobiography studies and visual studies, Wong argues that, in grappling with the breakdown of stable definitions of identity and unmediated representation, these writers-artists experiment with hybrid autobiography in image and text to break free of inherited visual-verbal regimes and revise painful histories. These works provide an interart focus for examining the possibilities of self-representation and self-narration, the boundaries of life writing, and the relationship between image and text.

Wong considers eight writers-artists, including comic-book author Art Spiegelman; Faith Ringgold, known for her story quilts; and celebrated Indigenous writer Leslie Marmon Silko. Wong shows how her subjects formulate webs of intersubjectivity shaped by historical trauma, geography, race, and gender as they envision new possibilities of selfhood and fresh modes of self-narration in word and image.

What core themes, tropes, or subjects are explored in Picturing Identity?

Biography, Literature and Literary studies > Literature: history and criticism

Where can I read a sample of Picturing Identity?

You can read an official preview of the few pages here https://www.book2look.com/book/9781469640693

How long is Picturing Identity and how many pages does it have?

Picturing Identity has 280 page(s)

Who is/are the Author/s of the book Picturing Identity?

Hertha D. Sweet Wong

Who is the Publisher of the book Picturing Identity?

The University of North Carolina Press

What are the ISBN numbers for the physical and digital editions?

Picturing Identity is available as hardcover(ISBN 9781469640693) and paperback(ISBN 9781469640709) and ebook(ISBN 9781469640723) and ebook(ISBN 9798890853561) and ebook(ISBN 9781469640716) and pdf(ISBN 9798890853554)

Where can I buy Picturing Identity online or support local independent bookshops?

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Where can I buy Picturing Identity?