About the book
People living in the nineteenth-century United States saw shocking upheavals in both the economy and in ideas of selfhood in a commercial society. Narratives such as Horatio Alger’s rags-to-riches tales allured Americans with visions of financial success, while events such as the Panics of 1819, 1837, 1857, and 1865 threatened them with sudden and devastating financial failure. The antebellum period’s “go-ahead” ethos encouraged individuals to form an identity amid this chaos by striving for financial success through risk-taking—that is, to form a capitalist self. Andrew Kopec argues that writers of this era were not immune to this business turbulence; rather, their responses to it shaped the development of American literature. By examining the public and private writings of well-known American writers—including Washington Irving, Catharine Maria Sedgwick, Nathaniel Hawthorne, Herman Melville, and Frederick Douglass—Kopec contends that, instead of anxiously retreating from the volatile market, these figures deliberately engaged with it in their writing.
These writers grappled with both the limits and opportunities of capitalist selfhood and tried, in various ways, to harness the economy’s energies for the benefit of the self. In making this argument, Kopec invites readers to consider how this era of American literature questioned the ideologies of capitalist identity that seem inescapable today.
Editions of Sink or Swim
- Hardcover
- ISBN 9781469690162
- Paperback
- ISBN 9781469690179
- EBook
- ISBN 9781469679587
- PDF
- ISBN 9781469690186
Read an Excerpt
People living in the nineteenth-century United States saw shocking upheavals in both the economy and in ideas of selfhood in a commercial society. Narratives such as Horatio Alger’s rags-to-riches tales allured Americans with visions of financial success, while events such as the Panics of 1819, 1837, 1857, and 1865 threatened them with sudden and devastating financial failure. The antebellum period’s “go-ahead” ethos encouraged individuals to form an identity amid this chaos by striving for financial success through risk-taking—that is, to form a capitalist self. Andrew Kopec argues that writers of this era were not immune to this business turbulence; rather, their responses to it shaped the development of American literature. By examining the public and private writings of well-known American writers—including Washington Irving, Catharine Maria Sedgwick, Nathaniel Hawthorne, Herman Melville, and Frederick Douglass—Kopec contends that, instead of anxiously retreating from the volatile market, these figures deliberately engaged with it in their writing.
These writers grappled with both the limits and opportunities of capitalist selfhood and tried, in various ways, to harness the economy’s energies for the benefit of the self. In making this argument, Kopec invites readers to consider how this era of American literature questioned the ideologies of capitalist identity that seem inescapable today.
Frequently Asked Questions
What is Sink or Swim about?
People living in the nineteenth-century United States saw shocking upheavals in both the economy and in ideas of selfhood in a commercial society. Narratives such as Horatio Alger’s rags-to-riches tales allured Americans with visions of financial success, while events such as the Panics of 1819, 1837, 1857, and 1865 threatened them with sudden and devastating financial failure. The antebellum period’s “go-ahead” ethos encouraged individuals to form an identity amid this chaos by striving for financial success through risk-taking—that is, to form a capitalist self. Andrew Kopec argues that writers of this era were not immune to this business turbulence; rather, their responses to it shaped the development of American literature. By examining the public and private writings of well-known American writers—including Washington Irving, Catharine Maria Sedgwick, Nathaniel Hawthorne, Herman Melville, and Frederick Douglass—Kopec contends that, instead of anxiously retreating from the volatile market, these figures deliberately engaged with it in their writing.
These writers grappled with both the limits and opportunities of capitalist selfhood and tried, in various ways, to harness the economy’s energies for the benefit of the self. In making this argument, Kopec invites readers to consider how this era of American literature questioned the ideologies of capitalist identity that seem inescapable today.
What core themes, tropes, or subjects are explored in Sink or Swim?
Biography, Literature and Literary studies > Literature: history and criticism > Literary studies: general > Literary studies: c 1800 to c 1900
Where can I read a sample of Sink or Swim?
You can read an official preview of the few pages here https://www.book2look.com/book/9781469690162
How long is Sink or Swim and how many pages does it have?
Sink or Swim has 204 page(s)
Who is/are the Author/s of the book Sink or Swim?
Andrew Kopec
What are the ISBN numbers for the physical and digital editions?
Sink or Swim is available as hardcover(ISBN 9781469690162) and paperback(ISBN 9781469690179) and ebook(ISBN 9781469679587) and pdf(ISBN 9781469690186)
Where can I buy Sink or Swim online or support local independent bookshops?
You can buy Sink or Swim from below
Where can I buy Sink or Swim?