Projecting Desire

Media Architectures and Moviegoing in Urban India

By Tupur Chatterjee | Publisher: NYU Press

About the book

Winner, 2026 Best First Book Award, given by the Society of Cinema and Media Studies

How middle-class women transformed India’s screen and exhibition industries

Since the late 90s, multiplexes in India have almost always been located inside malls, rendering it impossible to inhabit one space without also inhabiting the other. Their prevalence coincides with a shift in the spectatorial imagination of India’s mass audience—spaces that, for several preceding decades, had been designed for the subaltern male, but are now built for the consuming, globalized middle-class woman. By catering to the mutable desires and anxieties of a rapidly expanding and heterogeneous middle class, the mall-multiplex has radically altered the politics of theatrical space and moviegoing.

Projecting Desire tells the story of this moment of historic transition as it played out across media industries, architecture and design, popular cinema, and public culture. Tupur Chatterjee highlights how the multiplex established a new link between media and architecture in the subcontinent, not only rewriting the relation between gender and urban space, but also changing the shapes of Indian cities.

Projecting Desire locates the post-globalization transformation of India’s screen and exhibition industries in a longer arc of ideas about urban planning and architecture, long mired in caste- and class-based gendered anxieties. It argues that the architectural mediations of India’s moviegoing cultures are key to imagining, planning, and policing the contemporary media city. Chatterjee integrates industrial and organizational ethnography, in-depth interviews, participant observation, discourse and textual analysis, and archival work with spatial and urban histories. Focusing on these new meccas of leisure and entertainment, Projecting Desire tracks the understudied nexus between new media architectures, cultures of public leisure, and popular cinema in the Global South.

Editions of Projecting Desire

Hardcover
ISBN 9781479829620
Paperback
ISBN 9781479829644

Read an Excerpt

Winner, 2026 Best First Book Award, given by the Society of Cinema and Media Studies

How middle-class women transformed India’s screen and exhibition industries

Since the late 90s, multiplexes in India have almost always been located inside malls, rendering it impossible to inhabit one space without also inhabiting the other. Their prevalence coincides with a shift in the spectatorial imagination of India’s mass audience—spaces that, for several preceding decades, had been designed for the subaltern male, but are now built for the consuming, globalized middle-class woman. By catering to the mutable desires and anxieties of a rapidly expanding and heterogeneous middle class, the mall-multiplex has radically altered the politics of theatrical space and moviegoing.

Projecting Desire tells the story of this moment of historic transition as it played out across media industries, architecture and design, popular cinema, and public culture. Tupur Chatterjee highlights how the multiplex established a new link between media and architecture in the subcontinent, not only rewriting the relation between gender and urban space, but also changing the shapes of Indian cities.

Projecting Desire locates the post-globalization transformation of India’s screen and exhibition industries in a longer arc of ideas about urban planning and architecture, long mired in caste- and class-based gendered anxieties. It argues that the architectural mediations of India’s moviegoing cultures are key to imagining, planning, and policing the contemporary media city. Chatterjee integrates industrial and organizational ethnography, in-depth interviews, participant observation, discourse and textual analysis, and archival work with spatial and urban histories. Focusing on these new meccas of leisure and entertainment, Projecting Desire tracks the understudied nexus between new media architectures, cultures of public leisure, and popular cinema in the Global South.

Frequently Asked Questions

What is Projecting Desire about?

Winner, 2026 Best First Book Award, given by the Society of Cinema and Media Studies

How middle-class women transformed India’s screen and exhibition industries

Since the late 90s, multiplexes in India have almost always been located inside malls, rendering it impossible to inhabit one space without also inhabiting the other. Their prevalence coincides with a shift in the spectatorial imagination of India’s mass audience—spaces that, for several preceding decades, had been designed for the subaltern male, but are now built for the consuming, globalized middle-class woman. By catering to the mutable desires and anxieties of a rapidly expanding and heterogeneous middle class, the mall-multiplex has radically altered the politics of theatrical space and moviegoing.

Projecting Desire tells the story of this moment of historic transition as it played out across media industries, architecture and design, popular cinema, and public culture. Tupur Chatterjee highlights how the multiplex established a new link between media and architecture in the subcontinent, not only rewriting the relation between gender and urban space, but also changing the shapes of Indian cities.

Projecting Desire locates the post-globalization transformation of India’s screen and exhibition industries in a longer arc of ideas about urban planning and architecture, long mired in caste- and class-based gendered anxieties. It argues that the architectural mediations of India’s moviegoing cultures are key to imagining, planning, and policing the contemporary media city. Chatterjee integrates industrial and organizational ethnography, in-depth interviews, participant observation, discourse and textual analysis, and archival work with spatial and urban histories. Focusing on these new meccas of leisure and entertainment, Projecting Desire tracks the understudied nexus between new media architectures, cultures of public leisure, and popular cinema in the Global South.

What core themes, tropes, or subjects are explored in Projecting Desire?

The Arts > The visual, decorative or fine arts: treatments and subjects > History of art

Where can I read a sample of Projecting Desire?

You can read an official preview of the few pages here https://www.book2look.com/book/9781479829620

How long is Projecting Desire and how many pages does it have?

Projecting Desire has 240 page(s)

Is Projecting Desire part of a series, and can it be read as a standalone?

Yes it is a part of series Critical Cultural Communication

Who is/are the Author/s of the book Projecting Desire?

Tupur Chatterjee

Who is the Publisher of the book Projecting Desire?

NYU Press

What are the ISBN numbers for the physical and digital editions?

Projecting Desire is available as hardcover(ISBN 9781479829620) and paperback(ISBN 9781479829644)

Where can I buy Projecting Desire online or support local independent bookshops?

You can buy Projecting Desire from below

Where can I buy Projecting Desire?