Picturing Indians
Native Americans in Film, 1941–1960
By Liza Black | Publisher: Nebraska
About the book
Standing at the intersection of Native history, labor, and representation, Picturing Indians presents a vivid portrait of the complicated experiences of Native actors on the sets of midcentury Hollywood Westerns. This behind-the-scenes look at costuming, makeup, contract negotiations, and union disparities uncovers an all-too-familiar narrative of racism and further complicates filmmakers’ choices to follow mainstream representations of “Indianness.”
Liza Black offers a rare and overlooked perspective on American cinema history by giving voice to creators of movie Indians—the stylists, public relations workers, and the actors themselves. In exploring the inherent racism in sensationalizing Native culture for profit, Black also chronicles the little-known attempts of studios to generate cultural authenticity and historical accuracy in their films. She discusses the studios’ need for actual Indians to participate in, legitimate, and populate such filmic narratives. But studios also told stories that made Indians sound less than Indian because of their skin color, clothing, and inability to do functions and tasks non-Indians considered authentically Indian. In the ongoing territorial dispossession of Native America, Native people worked in film as an economic strategy toward survival.
Consulting new primary sources, including pay records and unpublished publicity photographs, Black has crafted an interdisciplinary experience showcasing what it meant to “play Indian” in post–World War II Hollywood.
Editions of Picturing Indians
- Paperback
- ISBN 9781496232649
Read an Excerpt
Standing at the intersection of Native history, labor, and representation, Picturing Indians presents a vivid portrait of the complicated experiences of Native actors on the sets of midcentury Hollywood Westerns. This behind-the-scenes look at costuming, makeup, contract negotiations, and union disparities uncovers an all-too-familiar narrative of racism and further complicates filmmakers’ choices to follow mainstream representations of “Indianness.”
Liza Black offers a rare and overlooked perspective on American cinema history by giving voice to creators of movie Indians—the stylists, public relations workers, and the actors themselves. In exploring the inherent racism in sensationalizing Native culture for profit, Black also chronicles the little-known attempts of studios to generate cultural authenticity and historical accuracy in their films. She discusses the studios’ need for actual Indians to participate in, legitimate, and populate such filmic narratives. But studios also told stories that made Indians sound less than Indian because of their skin color, clothing, and inability to do functions and tasks non-Indians considered authentically Indian. In the ongoing territorial dispossession of Native America, Native people worked in film as an economic strategy toward survival.
Consulting new primary sources, including pay records and unpublished publicity photographs, Black has crafted an interdisciplinary experience showcasing what it meant to “play Indian” in post–World War II Hollywood.
Frequently Asked Questions
What is Picturing Indians about?
Standing at the intersection of Native history, labor, and representation, Picturing Indians presents a vivid portrait of the complicated experiences of Native actors on the sets of midcentury Hollywood Westerns. This behind-the-scenes look at costuming, makeup, contract negotiations, and union disparities uncovers an all-too-familiar narrative of racism and further complicates filmmakers’ choices to follow mainstream representations of “Indianness.”
Liza Black offers a rare and overlooked perspective on American cinema history by giving voice to creators of movie Indians—the stylists, public relations workers, and the actors themselves. In exploring the inherent racism in sensationalizing Native culture for profit, Black also chronicles the little-known attempts of studios to generate cultural authenticity and historical accuracy in their films. She discusses the studios’ need for actual Indians to participate in, legitimate, and populate such filmic narratives. But studios also told stories that made Indians sound less than Indian because of their skin color, clothing, and inability to do functions and tasks non-Indians considered authentically Indian. In the ongoing territorial dispossession of Native America, Native people worked in film as an economic strategy toward survival.
Consulting new primary sources, including pay records and unpublished publicity photographs, Black has crafted an interdisciplinary experience showcasing what it meant to “play Indian” in post–World War II Hollywood.
What core themes, tropes, or subjects are explored in Picturing Indians?
Society and Social Sciences > Society and culture: general > Social groups, communities and identities > Ethnic studies / Ethnicity
Where can I read a sample of Picturing Indians?
You can read an official preview of the few pages here https://www.book2look.com/book/9781496232649
Who is/are the Author/s of the book Picturing Indians?
Liza Black
Who is the Publisher of the book Picturing Indians?
Nebraska
What are the ISBN numbers for the physical and digital editions?
Picturing Indians is available as paperback(ISBN 9781496232649)
Where can I buy Picturing Indians online or support local independent bookshops?
You can buy Picturing Indians from below
Where can I buy Picturing Indians?