Chinese Film

Realism and Convention from the Silent Era to the Digital Age

By Jason McGrath | Publisher: University of Minnesota Press

About the book

A tour de force chronicling the development of realism in Chinese cinema

 

The history of Chinese cinema is as long and complicated as the tumultuous history of China itself. Be it the silent, the Communist, or the contemporary, each Chinese cinematic era has necessitated its own form in conversation with broader trends in politics and culture. 

In Chinese Film, Jason McGrath tells this fascinating story by tracing the varied claims to cinematic realism made by Chinese filmmakers, officials, critics, and scholars. Understanding realism as a historical dynamic that is both enabled and mitigated by aesthetic conventions of the day, he analyzes it across six different types of claims: ontological, perceptual, fictional, social, prescriptive, and apophatic.

Through this method, McGrath makes major claims not just about Chinese cinema but also about realism as an aesthetic form that negotiates between cultural conventions and the ever-evolving real. He comes to envision it as more than just a cinematic question, showing how the struggle for realism is central to the Chinese struggle for modernity itself.

Editions of Chinese Film

Paperback
ISBN 9781517914035
PDF
ISBN 9781452968599

Read an Excerpt

A tour de force chronicling the development of realism in Chinese cinema

 

The history of Chinese cinema is as long and complicated as the tumultuous history of China itself. Be it the silent, the Communist, or the contemporary, each Chinese cinematic era has necessitated its own form in conversation with broader trends in politics and culture. 

In Chinese Film, Jason McGrath tells this fascinating story by tracing the varied claims to cinematic realism made by Chinese filmmakers, officials, critics, and scholars. Understanding realism as a historical dynamic that is both enabled and mitigated by aesthetic conventions of the day, he analyzes it across six different types of claims: ontological, perceptual, fictional, social, prescriptive, and apophatic.

Through this method, McGrath makes major claims not just about Chinese cinema but also about realism as an aesthetic form that negotiates between cultural conventions and the ever-evolving real. He comes to envision it as more than just a cinematic question, showing how the struggle for realism is central to the Chinese struggle for modernity itself.

Frequently Asked Questions

What is Chinese Film about?

A tour de force chronicling the development of realism in Chinese cinema

 

The history of Chinese cinema is as long and complicated as the tumultuous history of China itself. Be it the silent, the Communist, or the contemporary, each Chinese cinematic era has necessitated its own form in conversation with broader trends in politics and culture. 

In Chinese Film, Jason McGrath tells this fascinating story by tracing the varied claims to cinematic realism made by Chinese filmmakers, officials, critics, and scholars. Understanding realism as a historical dynamic that is both enabled and mitigated by aesthetic conventions of the day, he analyzes it across six different types of claims: ontological, perceptual, fictional, social, prescriptive, and apophatic.

Through this method, McGrath makes major claims not just about Chinese cinema but also about realism as an aesthetic form that negotiates between cultural conventions and the ever-evolving real. He comes to envision it as more than just a cinematic question, showing how the struggle for realism is central to the Chinese struggle for modernity itself.

What core themes, tropes, or subjects are explored in Chinese Film?

The Arts > Performing arts > Films, cinema > Film history, theory or criticism

Where can I read a sample of Chinese Film?

You can read an official preview of the few pages here https://www.book2look.com/book/9781517914035

Who is/are the Author/s of the book Chinese Film?

Jason McGrath

Who is the Publisher of the book Chinese Film?

University of Minnesota Press

What are the ISBN numbers for the physical and digital editions?

Chinese Film is available as paperback(ISBN 9781517914035) and pdf(ISBN 9781452968599)

Where can I buy Chinese Film online or support local independent bookshops?

You can buy Chinese Film from below

Where can I buy Chinese Film?