The South Never Plays Itself, A Film Buff’s Journey Through the South on Screen, University of Georgia Press, Ben Beard,Film history, theory or criticism,Films, cinema, film; cinema; movie; noir; New Orleans; Louisiana; Florida; Texas; Alabama; Georgia; Mississippi; Tennessee; Ku Klux Klan; racism; race; civil rights movement; horror; pop culture; black cinema; black movies; blaxploitation; Hollywood; entertainment; homosexuality; lgbtq; art; western; mobster; gangster; classic; independent; feminism; women's cinema; B movies; music; William Faulkner; Tennessee Williams; politics; Old South; Latin America; latino; Miami; country; rural; political; Bush; Robert Altman; Truman Capote; Margaret Mitchell; pre-code; Paramount; Columbia; Warner Brothers; MGM; 20th Century Fox; Pat Conroy; Quentin Tarantino; Spike Lee; Jean Renoir; Flannery O'Connor; Elia Kazan; Bette Davis; David Selznick; John Ford; Anthony Mann; Ava DuVernay; Jeff Nichols; Barry Jenkins; Owen Davis; Robert Duvall; Horton Foote; Sidney Lumet; Paul Newman; Donald Glover; John Waters; Johnny Cash; Jim Jarmusch; Elvis Presley; Gone with the Wind; In the Heat of the Night; Deliverance; Driving Miss Daisy; Mississippi Burning; Cat on a Hot Tin Roof; Birth of a Nation; Fried Green Tomatoes; Cool Hand Luke; Steel Magnolias; Song of the South; musicals; The Last Picture Show; The Truman Show; Scarface; Django Unchained; Twelve Years a Slave; A Streetcar Named Desire; Midnight Special; film; cinema; movie; noir; New Orleans; Louisiana; Florida; Texas; Alabama; Georgia; Mississippi; Tennessee; Ku Klux Klan; racism; race; civil rights movement; horror; pop culture; black cinema; black movies; blaxploitation; Hollywood; entertainment; homosexuality; lgbtq; art; western; mobster; gangster; classic; independent; feminism; women's cinema; B movies; music; William Faulkner; Tennessee Williams; politics; Old South; Latin America; latino; Miami; country; rural; political; Bush; Robert Altman; Truman Capote; Margaret Mitchell; pre-code; Paramount; Columbia; Warner Brothers; MGM; 20th Century Fox; Pat Conroy; Quentin Tarantino; Spike Lee; Jean Renoir; Flannery O'Connor; Elia Kazan; Bette Davis; David Selznick; John Ford; Anthony Mann; Ava DuVernay; Jeff Nichols; Barry Jenkins; Owen Davis; Robert Duvall; Horton Foote; Sidney Lumet; Paul Newman; Donald Glover; John Waters; Johnny Cash; Jim Jarmusch; Elvis Presley; Gone with the Wind; In the Heat of the Night; Deliverance; Driving Miss Daisy; Mississippi Burning; Cat on a Hot Tin Roof; Birth of a Nation; Fried Green Tomatoes; Cool Hand Luke; Steel Magnolias; Song of the South; musicals; The Last Picture Show; The Truman Show; Scarface; Django Unchained; Twelve Years a Slave; A Streetcar Named Desire; Midnight Special,, , United States, en-UShttps://ugapress.orgfilm; cinema; movie; noir; New Orleans; Louisiana; Florida; Texas; Alabama; Georgia; Mississippi; Tennessee; Ku Klux Klan; racism; race; civil rights movement; horror; pop culture; black cinema; black movies; blaxploitation; Hollywood; entertainment; homosexuality; lgbtq; art; western; mobster; gangster; classic; independent; feminism; women's cinema; B movies; music; William Faulkner; Tennessee Williams; politics; Old South; Latin America; latino; Miami; country; rural; political; Bush; Robert Altman; Truman Capote; Margaret Mitchell; pre-code; Paramount; Columbia; Warner Brothers; MGM; 20th Century Fox; Pat Conroy; Quentin Tarantino; Spike Lee; Jean Renoir; Flannery O'Connor; Elia Kazan; Bette Davis; David Selznick; John Ford; Anthony Mann; Ava DuVernay; Jeff Nichols; Barry Jenkins; Owen Davis; Robert Duvall; Horton Foote; Sidney Lumet; Paul Newman; Donald Glover; John Waters; Johnny Cash; Jim Jarmusch; Elvis Presley; Gone with the Wind; In the Heat of the Night; Deliverance; Driving Miss Daisy; Mississippi Burning; Cat on a Hot Tin Roof; Birth of a Nation; Fried Green Tomatoes; Cool Hand Luke; Steel Magnolias; Song of the South; musicals; The Last Picture Show; The Truman Show; Scarface; Django Unchained; Twelve Years a Slave; A Streetcar Named Desire; Midnight Special; film; cinema; movie; noir; New Orleans; Louisiana; Florida; Texas; Alabama; Georgia; Mississippi; Tennessee; Ku Klux Klan; racism; race; civil rights movement; horror; pop culture; black cinema; black movies; blaxploitation; Hollywood; entertainment; homosexuality; lgbtq; art; western; mobster; gangster; classic; independent; feminism; women's cinema; B movies; music; William Faulkner; Tennessee Williams; politics; Old South; Latin America; latino; Miami; country; rural; political; Bush; Robert Altman; Truman Capote; Margaret Mitchell; pre-code; Paramount; Columbia; Warner Brothers; MGM; 20th Century Fox; Pat Conroy; Quentin Tarantino; Spike Lee; Jean Renoir; Flannery O'Connor; Elia Kazan; Bette Davis; David Selznick; John Ford; Anthony Mann; Ava DuVernay; Jeff Nichols; Barry Jenkins; Owen Davis; Robert Duvall; Horton Foote; Sidney Lumet; Paul Newman; Donald Glover; John Waters; Johnny Cash; Jim Jarmusch; Elvis Presley; Gone with the Wind; In the Heat of the Night; Deliverance; Driving Miss Daisy; Mississippi Burning; Cat on a Hot Tin Roof; Birth of a Nation; Fried Green Tomatoes; Cool Hand Luke; Steel Magnolias; Song of the South; musicals; The Last Picture Show; The Truman Show; Scarface; Django Unchained; Twelve Years a Slave; A Streetcar Named Desire; Midnight Special, [BLURB],[CITY],,books, ebooks, biblet, Book2look