Havana Noir

By Achy Obejas (Editor); Leonardo Padura (Contribution by); Pablo Medina (Contribution by) | Publisher: Akashic Books

About the book

Akashic Books continues its groundbreaking series of original noir anthologies, launched in 2004 with Brooklyn Noir. Each story is set in a distinct neighborhood or location within the city of the book.

Brand-new stories by: Leonardo Padura, Pablo Medina, Alex Abella, Arturo Arango, Lea Aschkenas, Moisés Asís, Arnaldo Correa, Mabel Cuesta, Yohamna Depestre, Michel Encinosa Fú, Mylene Fernández Pintado, Carolina García-Aguilera, Miguel Mejides, Achy Obejas, Oscar F. Ortíz, Ena Lucía Portela, Mariela Varona Roque, and Yoss.

From the introduction by Achy Obejas:

“To most outsiders, Havana is a tropical wreckage of sin, sex, and noise, a parallel world familiar but exotic—and embargoed enough to serve as a release valve for whatever pulse has been repressed or denied. Long before the Cuban Revolution in 1959 and the United States’ economic blockade (in place since 1962), Havana was the destination of choice for foreigners who wanted to indulge in what was otherwise forbidden to them: mojitos and ménages, miscegenation and revolution. A photo taken in Havana has always authenticated its subject as a rebel and renegade . . .

In the real Havana—the shadowy Havana that never appears in the postcards, tourist guides, or testimonies of either the political left or right—the concept of sin has been banished by the urgency of need. And need inevitably turns the human heart feral. In this Havana, crime and violence, though officially vanquished by revolutionary decree, are wistfully quotidian and vicious. In the stories of Havana Noir, current and former residents of the city—some internationally known, others undiscovered and startling—relate tales of ambiguous moralities, misologistic brutality, collective cruelty, and the damage inured by self-preservation at all costs. “

Table of Contents

Introduction

Part I: Sleepless in Havana

“Nowhere Man” by Miguel Mejides (Old Havana)

“The Last Passenger” by Ena Lucía Portela (Vedado)

“The Scene” by Mylene Fernández Pintado (Malecón)

“Staring at the Sun” by Leonardo Padura (Marianao)

Part II: Escape to Nowhere

“The Dinner” by Carolina García-Aguilera (Flores)

“Johnny Ventura’s Seventh Try” by Pablo Medina (Jaimanitas)

“Shanghai” by Alex Abella (Siboney)

“Murder at 503 La Rosa” by Moisés Asís (Ayestarán)

“Murder, According to My Mother-in-Law” by Arturo Arango (El Cerro)

Part III: Sudden Rage

“The Orchid” by Mariela Varona Roque (Santos Suárez)

“What for, This Burden” by Michel Encinosa Fú (Vibora)

“The Red Bridge” by Yoss (Lawton)

“La Coca-Cola del Olvido” by Lea Aschkenas (Centro Habana)

“Roger Crumbler Considered His Shave” by Gary Phillips (Mid-City)

Part IV: Drowning in Silence

“Zenzizenzic” by Achy Obejas (Chinatown)

“Virgins of Regla” by Mabel Cuesta (Regla)

“Olúo” by Arnaldo Correa (Casablanca)

“Settling of Scores” by Oscar F. Ortíz (Cojimar)

“Abikú” by Yohamna Depestre (Alamar)

Editions of Havana Noir

AltFormat
ISBN 9781933354385

Read an Excerpt

Akashic Books continues its groundbreaking series of original noir anthologies, launched in 2004 with Brooklyn Noir. Each story is set in a distinct neighborhood or location within the city of the book.

Brand-new stories by: Leonardo Padura, Pablo Medina, Alex Abella, Arturo Arango, Lea Aschkenas, Moisés Asís, Arnaldo Correa, Mabel Cuesta, Yohamna Depestre, Michel Encinosa Fú, Mylene Fernández Pintado, Carolina García-Aguilera, Miguel Mejides, Achy Obejas, Oscar F. Ortíz, Ena Lucía Portela, Mariela Varona Roque, and Yoss.

From the introduction by Achy Obejas:

“To most outsiders, Havana is a tropical wreckage of sin, sex, and noise, a parallel world familiar but exotic—and embargoed enough to serve as a release valve for whatever pulse has been repressed or denied. Long before the Cuban Revolution in 1959 and the United States’ economic blockade (in place since 1962), Havana was the destination of choice for foreigners who wanted to indulge in what was otherwise forbidden to them: mojitos and ménages, miscegenation and revolution. A photo taken in Havana has always authenticated its subject as a rebel and renegade . . .

In the real Havana—the shadowy Havana that never appears in the postcards, tourist guides, or testimonies of either the political left or right—the concept of sin has been banished by the urgency of need. And need inevitably turns the human heart feral. In this Havana, crime and violence, though officially vanquished by revolutionary decree, are wistfully quotidian and vicious. In the stories of Havana Noir, current and former residents of the city—some internationally known, others undiscovered and startling—relate tales of ambiguous moralities, misologistic brutality, collective cruelty, and the damage inured by self-preservation at all costs. “

Table of Contents

Introduction

Part I: Sleepless in Havana

“Nowhere Man” by Miguel Mejides (Old Havana)

“The Last Passenger” by Ena Lucía Portela (Vedado)

“The Scene” by Mylene Fernández Pintado (Malecón)

“Staring at the Sun” by Leonardo Padura (Marianao)

Part II: Escape to Nowhere

“The Dinner” by Carolina García-Aguilera (Flores)

“Johnny Ventura’s Seventh Try” by Pablo Medina (Jaimanitas)

“Shanghai” by Alex Abella (Siboney)

“Murder at 503 La Rosa” by Moisés Asís (Ayestarán)

“Murder, According to My Mother-in-Law” by Arturo Arango (El Cerro)

Part III: Sudden Rage

“The Orchid” by Mariela Varona Roque (Santos Suárez)

“What for, This Burden” by Michel Encinosa Fú (Vibora)

“The Red Bridge” by Yoss (Lawton)

“La Coca-Cola del Olvido” by Lea Aschkenas (Centro Habana)

“Roger Crumbler Considered His Shave” by Gary Phillips (Mid-City)

Part IV: Drowning in Silence

“Zenzizenzic” by Achy Obejas (Chinatown)

“Virgins of Regla” by Mabel Cuesta (Regla)

“Olúo” by Arnaldo Correa (Casablanca)

“Settling of Scores” by Oscar F. Ortíz (Cojimar)

“Abikú” by Yohamna Depestre (Alamar)

Frequently Asked Questions

What is Havana Noir about?

Akashic Books continues its groundbreaking series of original noir anthologies, launched in 2004 with Brooklyn Noir. Each story is set in a distinct neighborhood or location within the city of the book.

Brand-new stories by: Leonardo Padura, Pablo Medina, Alex Abella, Arturo Arango, Lea Aschkenas, Moisés Asís, Arnaldo Correa, Mabel Cuesta, Yohamna Depestre, Michel Encinosa Fú, Mylene Fernández Pintado, Carolina García-Aguilera, Miguel Mejides, Achy Obejas, Oscar F. Ortíz, Ena Lucía Portela, Mariela Varona Roque, and Yoss.

From the introduction by Achy Obejas:

“To most outsiders, Havana is a tropical wreckage of sin, sex, and noise, a parallel world familiar but exotic—and embargoed enough to serve as a release valve for whatever pulse has been repressed or denied. Long before the Cuban Revolution in 1959 and the United States’ economic blockade (in place since 1962), Havana was the destination of choice for foreigners who wanted to indulge in what was otherwise forbidden to them: mojitos and ménages, miscegenation and revolution. A photo taken in Havana has always authenticated its subject as a rebel and renegade . . .

In the real Havana—the shadowy Havana that never appears in the postcards, tourist guides, or testimonies of either the political left or right—the concept of sin has been banished by the urgency of need. And need inevitably turns the human heart feral. In this Havana, crime and violence, though officially vanquished by revolutionary decree, are wistfully quotidian and vicious. In the stories of Havana Noir, current and former residents of the city—some internationally known, others undiscovered and startling—relate tales of ambiguous moralities, misologistic brutality, collective cruelty, and the damage inured by self-preservation at all costs. “

Table of Contents

Introduction

Part I: Sleepless in Havana

“Nowhere Man” by Miguel Mejides (Old Havana)

“The Last Passenger” by Ena Lucía Portela (Vedado)

“The Scene” by Mylene Fernández Pintado (Malecón)

“Staring at the Sun” by Leonardo Padura (Marianao)

Part II: Escape to Nowhere

“The Dinner” by Carolina García-Aguilera (Flores)

“Johnny Ventura’s Seventh Try” by Pablo Medina (Jaimanitas)

“Shanghai” by Alex Abella (Siboney)

“Murder at 503 La Rosa” by Moisés Asís (Ayestarán)

“Murder, According to My Mother-in-Law” by Arturo Arango (El Cerro)

Part III: Sudden Rage

“The Orchid” by Mariela Varona Roque (Santos Suárez)

“What for, This Burden” by Michel Encinosa Fú (Vibora)

“The Red Bridge” by Yoss (Lawton)

“La Coca-Cola del Olvido” by Lea Aschkenas (Centro Habana)

“Roger Crumbler Considered His Shave” by Gary Phillips (Mid-City)

Part IV: Drowning in Silence

“Zenzizenzic” by Achy Obejas (Chinatown)

“Virgins of Regla” by Mabel Cuesta (Regla)

“Olúo” by Arnaldo Correa (Casablanca)

“Settling of Scores” by Oscar F. Ortíz (Cojimar)

“Abikú” by Yohamna Depestre (Alamar)

What core themes, tropes, or subjects are explored in Havana Noir?

Fiction > Crime and / or mystery fiction

Where can I read a sample of Havana Noir?

You can read an official preview of the few pages here https://www.book2look.com/book/9781933354385

Who is/are the Author/s of the book Havana Noir?

Achy Obejas (Editor); Leonardo Padura (Contribution by); Pablo Medina (Contribution by)

Who is the Publisher of the book Havana Noir?

Akashic Books

What are the ISBN numbers for the physical and digital editions?

Havana Noir is available as altformat(ISBN 9781933354385)

Where can I buy Havana Noir online or support local independent bookshops?

You can buy Havana Noir from below

Where can I buy Havana Noir?