Border Cinema

Reimagining Identity through Aesthetics

By Anat Zanger, Anita Pinzi, Elena Lahr-Vivaz, Frederick Luis Aldama, Jennifer Harford Vargas, José Capino, Marina Hassapopoulou, Monica Hanna, Nurith Gertz, Rebecca A. Sheehan, Rosa-Linda Fregoso, Yael Munk | Publisher: Rutgers University Press

About the book

The rise of digital media and globalization’s intensification since the 1990s have significantly refigured global cinema’s form and content. The coincidence of digitalization and globalization has produced what this book helps to define and describe as a flourishing border cinema whose aesthetics reflect, construct, intervene in, denature, and reconfigure geopolitical borders. This collection demonstrates how border cinema resists contemporary border fortification processes, showing how cinematic media have functioned technologically and aesthetically to engender contemporary shifts in national and individual identities while proposing alternative conceptions of these identities to those promulgated by the often restrictive current political rhetoric and ideologies that represent a backlash to globalization. 

Editions of Border Cinema

Hardcover
ISBN 9781978803169
EBook
ISBN 9781978803176
PDF
ISBN 9781978803190

Read an Excerpt

The rise of digital media and globalization’s intensification since the 1990s have significantly refigured global cinema’s form and content. The coincidence of digitalization and globalization has produced what this book helps to define and describe as a flourishing border cinema whose aesthetics reflect, construct, intervene in, denature, and reconfigure geopolitical borders. This collection demonstrates how border cinema resists contemporary border fortification processes, showing how cinematic media have functioned technologically and aesthetically to engender contemporary shifts in national and individual identities while proposing alternative conceptions of these identities to those promulgated by the often restrictive current political rhetoric and ideologies that represent a backlash to globalization. 

Frequently Asked Questions

What is Border Cinema about?

The rise of digital media and globalization’s intensification since the 1990s have significantly refigured global cinema’s form and content. The coincidence of digitalization and globalization has produced what this book helps to define and describe as a flourishing border cinema whose aesthetics reflect, construct, intervene in, denature, and reconfigure geopolitical borders. This collection demonstrates how border cinema resists contemporary border fortification processes, showing how cinematic media have functioned technologically and aesthetically to engender contemporary shifts in national and individual identities while proposing alternative conceptions of these identities to those promulgated by the often restrictive current political rhetoric and ideologies that represent a backlash to globalization. 

What core themes, tropes, or subjects are explored in Border Cinema?

The Arts > Performing arts > Films, cinema > Film history, theory or criticism

Where can I read a sample of Border Cinema?

You can read an official preview of the few pages here https://www.book2look.com/book/9781978803169

Is Border Cinema part of a series, and can it be read as a standalone?

Yes it is a part of series Global Media and Race

Who is/are the Author/s of the book Border Cinema?

Anat Zanger, Anita Pinzi, Elena Lahr-Vivaz, Frederick Luis Aldama, Jennifer Harford Vargas, José Capino, Marina Hassapopoulou, Monica Hanna, Nurith Gertz, Rebecca A. Sheehan, Rosa-Linda Fregoso, Yael Munk

Who is the Publisher of the book Border Cinema?

Rutgers University Press

What are the ISBN numbers for the physical and digital editions?

Border Cinema is available as hardcover(ISBN 9781978803169) and ebook(ISBN 9781978803176) and pdf(ISBN 9781978803190)

Where can I buy Border Cinema online or support local independent bookshops?

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Where can I buy Border Cinema?