Stained Glass Ceilings

How Evangelicals Do Gender and Practice Power

By Lisa Weaver Swartz | Publisher: Rutgers University Press

About the book

Stained Glass Ceilings speaks to the intersection of gender and power within American evangelicalism by examining the formation of evangelical leaders in two seminary communities.Southern Baptist Theological Seminary inspires a vision of human flourishing through gender differentiation and male headship. Men practice “Godly Manhood,\" and are taught to act as the \"head\" of a family, while their wives are socialized into codes of “Godly Womanhood\" that prioritize prescribed gender roles. This power structure privileges men yet offers agency to their wives in women-centered spaces and through marital relationships. Meanwhile, Asbury Theological Seminary promises freedom from gendered hierarchies. Appealing to a story of gender-blind equality, Asbury welcomes women into classrooms, administrative offices, and pulpits. But the institution’s construction of egalitarianism obscures the fact that women are rewarded for adapting to an existing male-centered status quo rather than for developing their own voices as women. Featuring high-profile evangelicals such as Al Mohler and Owen Strachan, along with young seminarians poised to lead the movement in the coming decades, Stained Glass Ceilings illustrates the liabilities of white evangelical toolkits and argues that evangelical culture upholds male-centered structures of power even as it facilitates meaning and identity.

Editions of Stained Glass Ceilings

Paperback
ISBN 9781978819993
EBook
ISBN 9781978820012
PDF
ISBN 9781978820036

Read an Excerpt

Stained Glass Ceilings speaks to the intersection of gender and power within American evangelicalism by examining the formation of evangelical leaders in two seminary communities.Southern Baptist Theological Seminary inspires a vision of human flourishing through gender differentiation and male headship. Men practice “Godly Manhood,\" and are taught to act as the \"head\" of a family, while their wives are socialized into codes of “Godly Womanhood\" that prioritize prescribed gender roles. This power structure privileges men yet offers agency to their wives in women-centered spaces and through marital relationships. Meanwhile, Asbury Theological Seminary promises freedom from gendered hierarchies. Appealing to a story of gender-blind equality, Asbury welcomes women into classrooms, administrative offices, and pulpits. But the institution’s construction of egalitarianism obscures the fact that women are rewarded for adapting to an existing male-centered status quo rather than for developing their own voices as women. Featuring high-profile evangelicals such as Al Mohler and Owen Strachan, along with young seminarians poised to lead the movement in the coming decades, Stained Glass Ceilings illustrates the liabilities of white evangelical toolkits and argues that evangelical culture upholds male-centered structures of power even as it facilitates meaning and identity.

Frequently Asked Questions

What is Stained Glass Ceilings about?

Stained Glass Ceilings speaks to the intersection of gender and power within American evangelicalism by examining the formation of evangelical leaders in two seminary communities.Southern Baptist Theological Seminary inspires a vision of human flourishing through gender differentiation and male headship. Men practice “Godly Manhood,\" and are taught to act as the \"head\" of a family, while their wives are socialized into codes of “Godly Womanhood\" that prioritize prescribed gender roles. This power structure privileges men yet offers agency to their wives in women-centered spaces and through marital relationships. Meanwhile, Asbury Theological Seminary promises freedom from gendered hierarchies. Appealing to a story of gender-blind equality, Asbury welcomes women into classrooms, administrative offices, and pulpits. But the institution’s construction of egalitarianism obscures the fact that women are rewarded for adapting to an existing male-centered status quo rather than for developing their own voices as women. Featuring high-profile evangelicals such as Al Mohler and Owen Strachan, along with young seminarians poised to lead the movement in the coming decades, Stained Glass Ceilings illustrates the liabilities of white evangelical toolkits and argues that evangelical culture upholds male-centered structures of power even as it facilitates meaning and identity.

What core themes, tropes, or subjects are explored in Stained Glass Ceilings?

Philosophy and Religion > Religion and beliefs > Christianity

Where can I read a sample of Stained Glass Ceilings?

You can read an official preview of the few pages here https://www.book2look.com/book/9781978819993

Who is/are the Author/s of the book Stained Glass Ceilings?

Lisa Weaver Swartz

Who is the Publisher of the book Stained Glass Ceilings?

Rutgers University Press

What are the ISBN numbers for the physical and digital editions?

Stained Glass Ceilings is available as paperback(ISBN 9781978819993) and ebook(ISBN 9781978820012) and pdf(ISBN 9781978820036)

Where can I buy Stained Glass Ceilings online or support local independent bookshops?

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Where can I buy Stained Glass Ceilings?