About the book
In the mid-1840s, Warner McCary, an ex-slave from Mississippi, claimed a new identity for himself, traveling around the nation as Choctaw performer “Okah Tubbee.” He soon married Lucy Stanton, a divorced white Mormon woman from New York, who likewise claimed to be an Indian and used the name “Laah Ceil.” Together, they embarked on an astounding, sometimes scandalous journey across the United States and Canada, performing as American Indians for sectarian worshippers, theater audiences, and patent medicine seekers. Along the way, they used widespread notions of “Indianness” to disguise their backgrounds, justify their marriage, and make a living. In doing so, they reflected and shaped popular ideas about what it meant to be an American Indian in the mid-nineteenth century.
Weaving together histories of slavery, Mormonism, popular culture, and American medicine, Angela Pulley Hudson offers a fascinating tale of ingenuity, imposture, and identity. While illuminating the complex relationship between race, religion, and gender in nineteenth-century North America, Hudson reveals how the idea of the “Indian” influenced many of the era’s social movements. Through the remarkable lives of Tubbee and Ceil, Hudson uncovers both the complex and fluid nature of antebellum identities and the place of “Indianness” at the very heart of American culture.
Editions of Real Native Genius
- Paperback
- ISBN 9781469624433
- EBook
- ISBN 9781469624457
- EBook
- ISBN 9781469624440
- EBook
- ISBN 9798890844194
- PDF
- ISBN 9798890844187
Read an Excerpt
In the mid-1840s, Warner McCary, an ex-slave from Mississippi, claimed a new identity for himself, traveling around the nation as Choctaw performer “Okah Tubbee.” He soon married Lucy Stanton, a divorced white Mormon woman from New York, who likewise claimed to be an Indian and used the name “Laah Ceil.” Together, they embarked on an astounding, sometimes scandalous journey across the United States and Canada, performing as American Indians for sectarian worshippers, theater audiences, and patent medicine seekers. Along the way, they used widespread notions of “Indianness” to disguise their backgrounds, justify their marriage, and make a living. In doing so, they reflected and shaped popular ideas about what it meant to be an American Indian in the mid-nineteenth century.
Weaving together histories of slavery, Mormonism, popular culture, and American medicine, Angela Pulley Hudson offers a fascinating tale of ingenuity, imposture, and identity. While illuminating the complex relationship between race, religion, and gender in nineteenth-century North America, Hudson reveals how the idea of the “Indian” influenced many of the era’s social movements. Through the remarkable lives of Tubbee and Ceil, Hudson uncovers both the complex and fluid nature of antebellum identities and the place of “Indianness” at the very heart of American culture.
Frequently Asked Questions
What is Real Native Genius about?
In the mid-1840s, Warner McCary, an ex-slave from Mississippi, claimed a new identity for himself, traveling around the nation as Choctaw performer “Okah Tubbee.” He soon married Lucy Stanton, a divorced white Mormon woman from New York, who likewise claimed to be an Indian and used the name “Laah Ceil.” Together, they embarked on an astounding, sometimes scandalous journey across the United States and Canada, performing as American Indians for sectarian worshippers, theater audiences, and patent medicine seekers. Along the way, they used widespread notions of “Indianness” to disguise their backgrounds, justify their marriage, and make a living. In doing so, they reflected and shaped popular ideas about what it meant to be an American Indian in the mid-nineteenth century.
Weaving together histories of slavery, Mormonism, popular culture, and American medicine, Angela Pulley Hudson offers a fascinating tale of ingenuity, imposture, and identity. While illuminating the complex relationship between race, religion, and gender in nineteenth-century North America, Hudson reveals how the idea of the “Indian” influenced many of the era’s social movements. Through the remarkable lives of Tubbee and Ceil, Hudson uncovers both the complex and fluid nature of antebellum identities and the place of “Indianness” at the very heart of American culture.
What core themes, tropes, or subjects are explored in Real Native Genius?
Society and Social Sciences > Society and culture: general > Social groups, communities and identities > Ethnic studies / Ethnicity > Ethnic groups and multicultural studies > Indigenous peoples / Indigeneity
Where can I read a sample of Real Native Genius?
You can read an official preview of the few pages here https://www.book2look.com/book/9781469624433
How long is Real Native Genius and how many pages does it have?
Real Native Genius has 270 page(s)
Who is/are the Author/s of the book Real Native Genius?
Angela Pulley Hudson
What are the ISBN numbers for the physical and digital editions?
Real Native Genius is available as paperback(ISBN 9781469624433) and ebook(ISBN 9781469624457) and ebook(ISBN 9781469624440) and ebook(ISBN 9798890844194) and pdf(ISBN 9798890844187)
Where can I buy Real Native Genius online or support local independent bookshops?
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Where can I buy Real Native Genius?