City of Lyrics

Ordinary Poets and Islamicate Popular Culture in Early Modern Delhi

By Nathan L. M. Tabor | Publisher: The University of North Carolina Press

About the book

For centuries, Urdu-speaking poets and their audiences have gathered for mushāʿirahs, literary competitions for spoken-word verse. Today the mushāʿirah is a global phenomenon, as audiences in the millions convene in person and online for hours of poetic performance. Tracing these modern gatherings back to their origins, Nathan L. M. Tabor introduces readers to the popular emergence of the mushāʿirah in eighteenth-century Delhi. Scores of poets composed two-line lyric poems, called ġhazals, that they muttered, sang, shouted, and spat out in contentious salon spaces across India’s largest metropolis. Delhi’s mushāʿirahs circulated lyrics, satires, and songs for both common and elite poets, who traded and assessed words as an urban commodity that defined hierarchy, taste, and notions of delight.

Via poets' verse exchanges and their histories of Dehli’s literary scene, City of Lyrics reconstructs the social networks the mushāʿirahs produced. By understanding the roots of this uniquely Islamic literary practice, readers will gain insight into global popular culture today, which increasingly takes shape according to the tastes and values of the Muslim world yet is enjoyed by wide audiences of Muslims and non-Muslims alike.

Editions of City of Lyrics

Hardcover
ISBN 9781469690216
Paperback
ISBN 9781469690223
EBook
ISBN 9781469688299
PDF
ISBN 9781469690230

Read an Excerpt

For centuries, Urdu-speaking poets and their audiences have gathered for mushāʿirahs, literary competitions for spoken-word verse. Today the mushāʿirah is a global phenomenon, as audiences in the millions convene in person and online for hours of poetic performance. Tracing these modern gatherings back to their origins, Nathan L. M. Tabor introduces readers to the popular emergence of the mushāʿirah in eighteenth-century Delhi. Scores of poets composed two-line lyric poems, called ġhazals, that they muttered, sang, shouted, and spat out in contentious salon spaces across India’s largest metropolis. Delhi’s mushāʿirahs circulated lyrics, satires, and songs for both common and elite poets, who traded and assessed words as an urban commodity that defined hierarchy, taste, and notions of delight.

Via poets' verse exchanges and their histories of Dehli’s literary scene, City of Lyrics reconstructs the social networks the mushāʿirahs produced. By understanding the roots of this uniquely Islamic literary practice, readers will gain insight into global popular culture today, which increasingly takes shape according to the tastes and values of the Muslim world yet is enjoyed by wide audiences of Muslims and non-Muslims alike.

Frequently Asked Questions

What is City of Lyrics about?

For centuries, Urdu-speaking poets and their audiences have gathered for mushāʿirahs, literary competitions for spoken-word verse. Today the mushāʿirah is a global phenomenon, as audiences in the millions convene in person and online for hours of poetic performance. Tracing these modern gatherings back to their origins, Nathan L. M. Tabor introduces readers to the popular emergence of the mushāʿirah in eighteenth-century Delhi. Scores of poets composed two-line lyric poems, called ġhazals, that they muttered, sang, shouted, and spat out in contentious salon spaces across India’s largest metropolis. Delhi’s mushāʿirahs circulated lyrics, satires, and songs for both common and elite poets, who traded and assessed words as an urban commodity that defined hierarchy, taste, and notions of delight.

Via poets' verse exchanges and their histories of Dehli’s literary scene, City of Lyrics reconstructs the social networks the mushāʿirahs produced. By understanding the roots of this uniquely Islamic literary practice, readers will gain insight into global popular culture today, which increasingly takes shape according to the tastes and values of the Muslim world yet is enjoyed by wide audiences of Muslims and non-Muslims alike.

What core themes, tropes, or subjects are explored in City of Lyrics?

Philosophy and Religion > Religion and beliefs > Islam

Where can I read a sample of City of Lyrics?

You can read an official preview of the few pages here https://www.book2look.com/book/9781469690216

How long is City of Lyrics and how many pages does it have?

City of Lyrics has 354 page(s)

Is City of Lyrics part of a series, and can it be read as a standalone?

Yes it is a part of series Islamic Civilization and Muslim Networks

Who is/are the Author/s of the book City of Lyrics?

Nathan L. M. Tabor

Who is the Publisher of the book City of Lyrics?

The University of North Carolina Press

What are the ISBN numbers for the physical and digital editions?

City of Lyrics is available as hardcover(ISBN 9781469690216) and paperback(ISBN 9781469690223) and ebook(ISBN 9781469688299) and pdf(ISBN 9781469690230)

Where can I buy City of Lyrics online or support local independent bookshops?

You can buy City of Lyrics from below

Where can I buy City of Lyrics?